Beethoven has achieved iconic status as a composer. In the musical community, this position has been achieved due to the immense, even revolutionary, influence he has had on the development of music as the pivot point from the Classical to the Romantic eras. His symphonies in particular demonstrate this development, themes from the 5th and the 9th being instantly recognisable, the latter used as the European Anthem. His image is also well-known among non-musicians, with his features of intense concentration and unruly hair. Beethoven's deafness has served to underline this position as icon, both because it makes his achievements seem more remarkable, but also because it emphasises the popular picture of a composer whose inspiration comes from within, those inner thoughts and sounds are elaborated and pieced together into the most intricate musical canvas.
Beethoven was born in Bonn in Germany and, like Mozart, into a musical family whose father and grandfather were both singers. Though not to the same extent perhaps as Mozart, he was also a musical prodigy, whose father had taught him music at an early age (and some say bullied his son to further his own ambitions), and this education was continued by court musicians such as Neefe. His early talent was demonstrated particularly at the keyboard, as pianist, organist and harpsichordist, although he also showed talent on the violin. He studied composition with Haydn and other composers of the day, also reputedly receiving some tuition from Mozart after moving to Vienna, and his early works are not too far removed from the output of Haydn and Mozart.
Following on from those early works, his style diverged rapidly from his peers and teachers. Revolution was in the air, both politically and artistically. His 3rd symphony (huge in duration for the time) was originally dedicated to Napolean, but Beethoven erased his name from the title page on discovering that Napolean had declared himself Emperor. Although he still produced shorter symphonies like the 4th and 8th, each new symphony explored new areas. As well as symphonies, Beethoven wrote extensively for the String Quartet, perhaps again following in the footsteps of Haydn. His later quartets, at times very personal introspective works, also spread far into uncharted musical yet intimate territories. He wrote various other chamber works, several overtures, concertos, a Mass, an opera called "Fidelio" and a ballet called "The Creatures of Prometheus". He also wrote extensively for the piano with numerous sonatas and 5 concertos for that instrument, as well as some sonatas and a concerto for the violin.
Beethoven's 9 symphonies are as follows:
Among Beethoven's many piano sonatas, you can also find his "Moonlight" sonata with its famous 1st movement and his "Pathétique" sonata with its famous 2nd movement (This is also available on mfiles arranged for viola and piano and for clarinet and piano). Among his shorter works for piano there is also the ever popular Fur Elise (also available for other instruments on mfiles) and his Minuet in G, which also comes in this arrangement for Flute and Piano. Another piece available from the mfiles catalogue is the first movement of his 1st Violin Sonata.
For his single opera "Fidelio" Beethoven wrote a number of overtures before he was happy with the result. The other overtures are often played as concert pieces and one of those (called the Leonore Overture No.3) contains the following Trumpet Call which we have included in our article about Bugle Calls.
We've mentioned that Beethoven learned much musically from his teachers. He also learned much from studying Bach's works, such as the 48 preludes and fugues, and it is interesting to see how Beethoven employed fugal writing himself within his symphonies as a form of development (see for example the slow movement of the 7th symphony again). However, although Beethoven had a number of musical influences, in some ways that is not the most important aspect of his creativity. Rather in many ways it was his own thoughts, feelings and ideology which he strove to commit to musical form, and it was this which singled Beethoven out as the first of the great Romantic composers.
Prior to this time, composers were typically employees of state, church or wealthy titled patron who requested works to suit various important occasions whether secular or religious. In contrast Beethoven, like Mozart, was an independent creative artist who to some extent could set his own agenda. This agenda may have been fuelled in some more intimate works by his several failed love affairs and knowledge of his growing deafness, but other grander influences (particularly in his 3rd, 5th and 9th symphonies) were ideals of liberty, republicanism, religious beliefs and the brotherhood of man.
Beethoven's method of working was to record ideas in numerous notebooks, which sometimes he would mull over for years, before eventually developing them into the building blocks of his compositions. So for example the seeds of the theme which eventually became the Ode to Joy, was originally conceived more than a decade earlier. This suggest a long gestation period and supreme attention to detail in order to depict in music the strength of his idealism. This creative process and the path he initiated was followed and extended by many other composers of the Romantic era, including composers as diverse as Brahms, Wagner and Mahler.
To tie in with the free sheet music on mfiles, we make some recommendations on additional Beethoven sheet music which might be of interest:
If you are interested in Classical Music, Beethoven is certainly one of the composers whose works you will want to hear. We have selected various albums and box-sets which illustrate Beethoven's musical developments in a number of different musical forms: