During the 40s and 50s Jerome Moross gained many credits as an orchestrator of film scores including Hans Christian Anderson for example. He orchestrated for several of the big composers of the day including Aaron Copland, Franz Waxman and Hugo Friedhofer, and was also friends with Bernard Herrmann.
It was this solid grounding in the business of film music which built the skills and created the opportunities for Moross in providing original music for film and TV. It was as a composer of sweeping Western themes that Moross made a name for himself, and this association led to much film and TV work in this genre. "The Big Country" in particular is instantly familiar. Although Westerns were very common at that time, it might seem that Moross suffered from the composer's equivalent of that actor's disease known as typecasting, but a quick look at his filmography shows that this is not the case.
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