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Franz Waxman (1906-1967) - another member of the old guard:


There are some interesting parallels between the careers of Franz Waxman, Dimitri Tiomkin and Max Steiner. They were all born and received their musical education far removed from the influence of Hollywood, in the case of Waxman (originally spelled "Wachsmann") this was in Germany, and all three started their Hollywood careers in the 1930s between them sowing up many of the big films produced over the next two decades. Before leaving Germany one of Waxman's first Hollywood jobs was to orchestrate and conduct Frederick Hollander's score for "The Blue Angel" starring Marlene Dietrich.

Waxman's early career included the horror movies "The Bride of Frankenstein" and "Dr. Jekyll and Mr. Hyde", and acting as musical director to the Marx Brothers' vehicle "A Day at the Races". He really consolidated his reputation with the hugely successful "Rebecca", and like Tiomkin he went on to score more Hitchcock films including "Rear Window" and "Suspicion". He proved his versatility with a wide range of genres including war movies, romances and historical epics. As a good example of his style, "Rebecca" is deeply romantic but often leaning towards the impressionist movement with its characteristically busy woodwind section. In "Humoresque" Waxman adapted music from Richard Wagner's Tristan and Isolde for violin and orchestra. The story concerns a violinist played by John Garfield, though Isaac Stern provided the playing.

Waxman received many oscar nominations over the course of his career in film music, winning the award in two successive years for "Sunset Boulevard" in 1950 and "A Place in the Sun" in 1951. There is an interesting story that when Alfred Newman wasn't nominated for an Oscar for his score to "The Robe", Waxman resigned from the Academy (AMPAS) and insisted that his on screen credit for "Demetrius and the Gladiators" stated that it was based on Newman's score for "The Robe".

 

Films by Franz Waxman:


  • Bride of Frakenstein - suitably dramatic but with sympathy for the characters, the theme for the Bride suggests beauty and wonder
  • A Day at the Races - music director to this Marx Brothers film
  • The Young in Heart
  • A Christmas Carol (1936)
  • The Adventures of Huckleberry Finn
  • Rebecca (1940) - an Oscar nomination for this classic, the tortured romantic music seems to foreshadow the work of Hitchcock's later partner Bernard Herrmann
  • Rear Window - see David Shire for the remake of this Hitchcock classic
  • Objective, Burma!
  • Humoresque - starring John Garfield and Joan Crawford, and Waxman's adaptation of Wagner
  • The Philadelphia Story
  • Sunset Boulevard - winning the best music Oscar
  • Dr. Jekyll and Mr. Hyde (1941)
  • Suspicion
  • Only the Valiant
  • A Place in the Sun - his second oscar
  • Demetrius and the Gladiators - incorporating music from Alfred Newman's "The Robe"
  • Elephant Walk
  • Prince Valiant - exciting swashbuckler music
  • The Silver Chalice
  • The Virgin Queen
  • Peyton Place
  • Return to Peyton Place
  • The Spirit of St. Louis
  • Run Silent, Run Deep
  • The Nun's Story
  • Taras Bulba - an busy energetic theme, something akin to the faster dances from Katchaturian's ballet music
 

TV themes by Franz Waxman:


  • Peyton Place - the same waltz-like theme was used for the movie and TV series
 

Recommendations:


Some of Franz Waxman's themes can be found on compilation CDs, and there is a Franz Waxman web-site at www.FranzWaxman.com.

 
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