Carl Davis has made significant contributions to film and TV music, in the roles of composer, arranger and conductor. As an American living in Britain (and married to the actress Jean Boht) he has found himself film and TV work on both sides of the Atlantic. For TV he has done a number of historical dramas and big productions such as the "Hollywood" documentary series. For film his score for "The French Lieutenant's Woman" is highly regarded. In addition to these media he has also composed music for a number of ballets such as "Aladdin" first performed in the Edinburgh Festival Theatre in December 2000.
Carl Davis also enjoys another career as a conductor. For a number of years he conducted the Royal Liverpool Philharmonic Orchestra during their summer season. He then went on to work with Paul McCartney on his "Liverpool Oratorio", orchestrating and conducting the music for the same orchestra. Davis frequently features as a guest conductor for other orchestras, and has for example conducted the Royal Scottish National Orchestra on more than one occasion. His most recent concerts with the RSNO have focussed on Oscar-winning film music and songs.
In addition to scores for contemporary films, he has also found a niche composing or reworking scores for silent movies. He did a little of this for the "Hollywood" series, and also scored "Phantom of the Opera" for the Channel 4 Television series of silent classics, for which James Bernard recreated his uniquely dark Dracula sound for the silent "Nosferatu". Neither of these reworkings of silent movies were on the scale of Davis' mammoth reworking of Swiss-born classical composer Arthur Honegger's score for the epic five and a half hour film "Napoléon". I've only heard a small extract from this score and this sounded something like Beethoven, which is perhaps appropriate given that Beethoven originally wanted to dedicate his 3rd Symphony to Napoleon. Davis' music for "Napoleon" was well received in France, where Davis was presented with an award for the score. Davis is to conduct his music to a showing of Napoleon in London on the weekend of 4th and 5th December 2004. Davis reports that this could be the last performance of this music, since the Coppola family also claim to owns rights to the film and only wish it to be shown with music composed by the late Carmine Coppola, father of the director Francis Ford Coppola.
Another project extending Davis' experience with silent films has been with the films of Charlie Chaplin. First he reconstructed Chaplin's own music for the film classic "City Lights", and then he went on to do the same for "The Gold Rush". He has now completed a major project to provide new scores for 12 films made by Charlie Chaplin between 1916 and 1917 for the Mutual Film Corporation. Complete with the new scores, these will be released on DVD in two groups of six by the British Film Institute in 2004 and 2005. Other music for silent comedy film includes the "Keystone Kops".
Davis arranged the music for the BBC's World Cup television coverage this year (2006), based on the often-used "See the Conquering Hero Comes" from the chorus of Handel's oratorio "Judas Maccabaeus". This music is also the basis for the familiar hymn "Thine Be the Glory" and was used by Beethoven for his 12 variations for cello and piano on Handel's theme (see Sheet Music Plus for the sheet music). In another sporting connection, Davis is understood to be working on a commission to create an anthem for the Leeds Rhinos Rugby League Club.
| 
TOP
BACK
