Alexandre Desplat - film composer
Alexandre Desplat was born in Paris in 1961 and has a broader musical experience than many film composers. As a boy he studied Piano, Trumpet and Flute, winning several prizes during his music education. Despite this classical training, he has also performed with a number of Jazz and World artists. In the late 1980s his career moved towards film composing, and he scored more than 50 French and European films before his more recent move towards Hollywood funded movies. Following a number of English language US films, it was "Girl with a Pearl Earring" which really made Hollywood take notice of this composer. This is a tale woven around the famous painting by Johnnes Vermeer, and the music easily conveys a feeling of passion and obsession. The theme is reminiscent of Jerry Goldsmith's "Basic Instinct" or some of Bernard Herrman's work.
This was quickly followed by his critically acclaimed score to "Birth" starring Nicole Kidman. This movie has an unusual story, and Desplat created suitably unusual music to accompany it. From a creative perspective the music offers many sections of the orchestra a chance to shine either with solos or small groups of instruments, though the abiding memory is the haunting minimalist line with flutes and celeste and the truly unsettling sub-bass which generates an almost physical response in the listener. Since then the composer has gone from strength to strength in terms of recognition. "Hostage" starred Bruce Willis and then "Syriana" with George Clooney and Matt Damon earned him a Golden Globe nomination. "Syriana" has a lot of suspenseful tracks, some driven by ethnic instruments and percussion. Two features that "Syriana" shares with "Birth" are the bass sound and use of solo timpani. Then 2006 was a bumper year with "The Painted Veil" earning Desplat the coveted Golden Globe award and The Queen giving him nominations from both Bafta and Oscar.
The Curious Case of Benjamin Button is a unique film demanding an equally unique score to underpin it, and who better than Alexandre Desplat to create that kind of sound. The score is excellent and highly recommended, with the 2nd CD containing jazz and other tracks from the film. Hear some examples of Desplat's fun light score for "Fantastic Mr. Fox" at the official movie site.
"The Ghost Writer" again proves that Desplat can switch genres effortlessly. The score could be described as a minimalist light version of Bernard Herrmann, but still very individual and bears repeated listening. In 2010 Desplat had major films showing in some theatres at the same time - "Harry Potter and the Deathly Hallows: Part I" and also the multi-award-winning The King's Speech. Desplat has now scored the conclusion of the Harry Potter saga, with the Deathly Hallows book split into two films - see our article about the Music of Harry Potter. Following those Harry Potter films, Desplat has continued to be very busy indeed, with a whole host of films including Terrence Malick's The Tree of Life and the theme for "My Week with Marilyn" which was scored by Conrad Pope. Most recently we have a complete contrast with the thriller "Argo" and the animation "Rise of the Guardians" hitting cinemas in late 2012.
Films by Alexandre Desplat:
- Mémoire Traquée (Lapse of Memory)
- Au nom du père et du fils (In the name of the father and the son)
- Family Express
- Sexes Faibles (The weaker sexes)
- The Hour of the Pig
- Regard les hommes tomber (See how they fall)
- Les Péchés Mortels (Innocent Lies)
- Le Montreur de boxe (Lucky Punch)
- Love, etc.
- Un héros très discret
- Une chance sur deux
- The Revengers' Comedies
- The Luzhin Defence
- Read my Lips
- The Nest
- September 11 - this is the film with 11 directors from different countries telling 11 stories related to the fateful events of that day in 2001, Desplat did the main theme whereas Gustavo Santaolalla did the segment set in Mexico.
- Stormy Weather
- Girl with a Pearl Earring - supposedly the story behind the painting
- Birth - a weird plot, but the music moves from comfortable and enchanting to ethereal and eerie
- The Upside of Anger - starring Kevin Costner and Joan Allen
- De Battre mon coeur s'est arrêté (The Beat That My Heart Skipped)
- Casanova - big-budget version of the story, directed by Lasse Hallström
- Syriana - troubled world music for this story driven by the politics of the oil industry in the middle east
- Lies & Alibis
- Firewall - with Harrison Ford
- The Valet
- The Painted Veil - featuring pianist Lang Lang, the soundtrack also contains the Gnossienne No.1 by Erik Satie
- The Queen - oscar-nominated score
- Mr. Magorium's Wonder Emporium
- The Golden Compass - orchestrally a much larger score for this big budget fantasy adventure
- The Curious Case of Benjamin Button - a score that is quirky and delicate, portraying the unusual on-screen love which transcends time
- Coco Before Chanel
- Julie & Julia - returning to a French idiom with accordian in this light and bright score
- Fantastic Mr. Fox - stop-motion film based on the Roald Dahl story - the soundtrack also has a couple of tracks by Georges Delerue
- The Twilight Saga: New Moon - taking over from Carter Burwell who did the original movie, with Howard Shore scoring "Eclipse"
- The Ghost Writer - more action-oriented but still in the unmistakeable Desplat style for this Roman Polanski thriller, with the main title featuring clarinet and drums
- Harry Potter and the Deathly Hallows: Part I - this is bigger in scale than many of Desplat's scores, in keeping with the tradition for the series established by John Williams
- The King's Speech - mostly piano and strings and the hesitant theme on a repeated note aims to mirror the stammering of "Bertie" (King George VI), the climax of the film where the King gives his first war-time speech uses the slow movement from Beethoven's 7th Symphony
- Tamara Drewe - working with director Stephen Frears again (following "The Queen" and "Chéri") and giving us a light percussion-led score with main theme on marimba
- The Burma Conspiracy
- The Well Digger's Daughter
- The Tree of Life - a challenging film by Terence Malick and a score that demands repeated listening
- A Better Life
- The Ides of March - Desplat is also credited with playing the solo flute and piccolo parts
- My Week with Marilyn - creating Marilyn's Theme with the score composed by Conrad Pope
- Extremely Loud & Incredibly Close
- Moonrise Kingdom - the soundtrack features a number of pieces by Benjamin Britten, and the end titles (by Desplat) are done in the style of Britten's "Young Person's Guide to the Orchestra"
- Rust and Bone
- Rise of the Guardians - a wonderful fun score, and highly recommended
TV Music by Alexandre Desplat:
Desplat has scored a number of movies for French television in addition to some work on recurring series.
- Papa veut pas que je t'épouse
- Le Paradis absolument
- J'aime pas qu'on m'aime
- Le Fils de Paul
- D'amour et d'eau salée
- Un petit grain de folie
- N'oublie pas que tu m'aimes
- Brigade spéciale - series for French television
- Les Ritaliens
- Madame Sans-Gêne
- Une autre femme
- Virus au paradis
- Les Beaux jours
- Le Pays des enfants perdus
- The Special Relationship - TV Movie, not Nixon and Frost but Tony Blair and Bill Clinton
Alexandre Desplat Recommendations:
The composer's official web-site is at www.AlexandreDesplat.net.