
Perhaps it's just a coincidence that much of Rosenman's work on Science Fiction movies was on sequels of Star Trek, Robocop and Planet of the Apes. Certainly the music was always original even if the setting wasn't, and Rosenman's music is certainly varied including a variety of other genres and musical styles. His earlier work was seems rooted in the movie business's golden age with lush romantic scores and a touch of jazz, while later scores can range from very hip to modernistic. In the latter modernistic category it is worth noting that Rosenman studied under Arnold Schoenberg, and perhaps as a result of this Rosenman is often credited with introducing contemporary musical styles into the movie business including the use of 12-tone techniques.
Though clearly a gifted composer, it is ironic that Rosenman won his two oscars for "adaptation" scores. In the case of Stanley Kubrick's "Barry Lyndon" Rosenman adapted classical music by Handel, Schubert and Mozart.
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